muhlenberg college film studies

Muhlenberg College offers bachelor's degrees with an academic focus on a rounded Liberal Arts education as well as pre-professional studies. We will spend a considerable amount of time thinking about where ideas come from, how we can develop ideas, and the role of creative collaboration in television writing. 1 degrees were awarded at the associate level (2-Year). Who We Are. This course will also count as an elective in the Media & Communication major and in the new Documentary Storymaking Minor. ENG 226 Introduction to ScreenwritingExamination of screenwriting fundamentals: story structure (theme and plot), character, dialogue, scene description and development, and script formats. Muhlenberg College aims to develop independent critical thinkers who are intellectually agile, characterized by a zest for reasoned and civil debate, committed to understanding the diversity of the human experience, able to express ideas with clarity and grace, committed to lifelong learning, equipped with ethical and civic values, and prepared for lives of leadership and service. As the course proceeds chronologically, it briefly demonstrates images of African Americans in mainstream Hollywood films, but focuses primarily on how filmmakers of African descent have sought to respond to mainstream representations and create their own narratives and styles. Muhlenberg College ist ein US-amerikanisches Privat-College, das 1848 gegründet wurde. FLM 330 New Asian Cinemas  This course will selectively explore the national cinemas of Japan, China, Taiwan, India, and Korea. Das College befindet sich in Allentown, Pennsylvania und beschäftigt fast 200 Vollzeit-Kräfte. Analytical viewing assignments from each of the genres explored will be required. Prerequisite(s):COM 251 Introduction to Moviemaking recommended. At Muhlenberg. FLM 227 Melodrama “Melodrama” does not just mean exaggerated emotion; it is a form of popular storytelling that puts its characters in dramatic situations in which the stakes are nothing less than the victory of good over evil. Attendance at weekly screenings is required.Meets general academic requirement HU. Students present ongoing work and final projects in either an online or broadcast venue. FLM 387 Art of Video EditingWhile editing was historically seen as merely a nuts-and-bolts technical pursuit, it has increasingly proven indispensable to the artistic process. The student-run Muhlenberg Film Association screens two films a semester for the campus community, often outdoors on the College Green. Die Leitmesse für Denkmalpflege 2020 'denkmal' in Leipzig ist abgesagt! FLM 281 Indiewood, USAThis course explores the movement to develop and sustain a low-budget, risk-taking, reality-based strain of independent film production in America as an alternative to the dominance of commercially-driven Hollywood product and production standards. The Film Studies Department at Muhlenberg College on Academia.edu See the most popular majors at Muhlenberg College. 358. Special emphasis is placed on advanced textual and film analysis, scholarly discussion, and writing. Students should start conceptualizing their ideas well in advance of the start of the semester. Special Collections & Archives; Muhlenberg College Digital Repository; Student Honors Theses; Library Home; Library Technology; Film Screenings; Film Screenings Class Movie Screenings: B-02. FLM 450 CUE: Film Studies Seminar  Advanced study and analysis of selected areas in film studies designed for majors and other qualified students. About. Majors & Fields of Study at Muhlenberg College. Both film studies and production tracks culminate in a senior experience course. The course also considers as a sub-theme the “road movie” in American culture and what it says about the relationship of dominant American culture to the land and the indigenous inhabitants. We will focus on Reservoir Dogs, Pulp Fiction, Jackie Brown, the two-part Kill Bill, Inglourious Basterds, and Django Unchained as well as some of the many disparate films that influenced him. Contact information and tips for finding online resources can be found on theAccessing Online Resourcespage. Conceiving, coordinating, shooting, and editing the project, production teams will encounter real-time pressure and problem-solving situations.Required lab.Prerequisite(s):COM 251 - Introduction to Moviemaking. Through their research-production projects, students learn to work with more advanced visual and organizational concepts and tools. The film studies program at Muhlenberg offers a rigorous interdisciplinary experience that helps students understand both the technical and expressive components of the cinematic medium and gain practical experience in film production within the framework of a liberal arts education. Network. What are the demands of nonfiction editing, and in what ways might these two modes align? FLM 334 Bollywood: Indian Popular Cinema India’s Bombay/Mumbai-based cinema is one of the world’s few challenges to the influence of American film. Taught in English. The course will also include extensive practice in editing and re-writing, and include weekend trips to local cinemas to review films on short deadlines. COM 351 Video Production Refines an understanding of video/television concepts and operations through the application of advanced production techniques. Topics may include auteur studies, genre or form studies, national or regional film studies, film theory, or explorations of film and popular culture. Muhlenberg has an active film culture both on and off-campus. ENG 255 Literature and Film  This course examines the relationship between novels and plays and their film-adaptations, concentrating on the different ways in which we read and interpret these narrative forms. Gefällt 12.426 Mal. In addition, Muhlenberg has established exchange opportunities in Europe and in Japan. Genres that may be taught include commercials, daytime, primetime (sitcom and drama), and film. Filmmakers and films we study will be drawn from a list that includes John Cassavetes (Shadows), Martin Scorsese (Mean Streets), Terence Malick (Badlands), Charles Burnett (Killer of Sheep), Jim Jarmusch (Stranger than Paradise), Joyce Chopra (Smooth Talk), John Sayles (Lianna), Whit Stillman (Last Days of Disco), Steven Soderbergh (sex, lies & videotape), Abel Ferrara (Bad Lieutenant ), David Lynch (Blue Velvet), Sadie Benning (It Wasn’t Love), Gus van Sant (My Own Private Idaho), Julian Schnabel (Basquiat), Kimberley Peirce (Boys Don’t Cry), Larry Clarke (Kids), Hal Hartley (Trust), Michael Cuesta (L.I.E. Like Tarantino, we will watch films closely and analyze their themes and structures. Playwrights may include John Osborne, Arnold Wesker, Ann Jellicoe, Harold Pinter, Joe Orton, Edward Bond, and Shelagh Delaney. Attendance at weekly screenings is required.Meets general academic requirement HU. © It focuses on films that are often classified as “women’s films” and “social problem films,” but also includes films that could be classified as action films or “men’s melodramas”― and so there will be a lot of discussion about issues of gender and race. Muhlenburg College. ), Kelly Reichardt (Wendy & Lucy), and Richard Linklater (Waking Life). Open to students at all levels. Network. Students explore the convergence of video and digital media while studying the problems of constructing narrative and documentary texts within emerging experimental formats. In addition to screening and exploring some of the best such films produced over the course of 50 years, this course attends closely to the struggle of some of the more successful independent filmmakers (and actors) to maintain their commitment to alternative practices in the face of the seductions of Hollywood, on the one hand, and formal conventions fostered by organizations like the Sundance Film Festival & Institute on the other. The course will attend closely to the variety of decisions that inform the translation of literary works into a different medium with different conventions for a different audience.Meets general academic requirement HU. Students will create an online archive of all finished work, and learn about ways to develop and market their own critical voice. We will then trace the emergence of John Osborne and other "Angry Young Men," and the development of a drama overtly engaged with issues of class, gender, and sexuality. We will focus on generating compelling subjects, scripting and storyboarding, casting and location scouting, and all of the work that goes into creating engaging images in front of a camera. Legal and ethical issues involved in media production are considered. FLM 250 Contemporary World Cinema This course offers a selective survey of some of the most cutting-edge films produced around the world in the last 10-20 years, including those that offer sustained insight into specific national cultures, and those that are more global in orientation, and address the worldwide mixing and mingling of people and cultures. Required Monday evening screenings. It was named for Henry Melchior Muhlenberg, who established the German Lutheran faith in the United States in the 18th century. In addition, readings put all the films in the context of theoretical discussions concerning what constitutes “black,” “African,” or “Third Cinema,” politically and aesthetically. While the filmmakers under consideration vary, the course deals with similar questions each time: the validity of the auteur theory as a way of understanding film, the relationships between filmmakers and their art, and the nature of our ideas about art and artistic production. Program Director:  Dr. Amy Corbin, Associate Professor of Media & Communication and Film Studies Tempelhof-Schöneberg (Rights reserved) Issue 2018 (Rights reserved) Reads . FLM 389 Writing The TV Spec ScriptWriters seeking work in the television industry generally complete a "spec script," a complete script for an episode of a program that already exists. FLM 229 Travel and Cultural Encounters in Film This course looks at narrative and experimental films that thematize the act of travel as a trigger for cultural encounters, which often result in conflicts, power differentials, and individual senses of displacement or disorientation. Attendance at weekly screenings is required.Meets general academic requirement HU. Attendance at weekly screenings is required.Meets general academic requirement DE. The cultural encounters depicted include those in colonial Africa, India, and the Americas, as well as post-colonial encounters in new relationship configurations such as migration and tourism. Across all areas of study, Muhlenberg College awarded 734 undergraduate degrees in 2018 - 2019 . Provides hands-on experience beginning with the development of a professional project, treatment, script, and storyboard. Muhlenberg College is a private liberal arts college affiliated to the Evangelical Lutheran Church. Students will conceptualize, outline, and write a feature-length screenplay, focusing on story structure, character development, conflict, dialogue, and resolution. This course examines the world’s largest film industry with the aim of understanding the place of popular cinema outside of the Hollywood model. Meets general academic requirement AR. FLM 332 Film Cultures of North Africa & the Middle East  This course will focus on the development of national cinematic traditions in Egypt, on the struggle for cultural self-definition in the former French colonies of Algeria and Tunisia, on cinematic representations of post-revolutionary Iran, and on how Arab and Israeli filmmakers address the so-called “question” of Palestine. Applying theoretical and practical frameworks, we will consider pacing, rhythm, sequencing, continuity, sound, color and other elements in an editor's arsenal, to explore the many ways that editing contributes to story and concept development. Contact. ENG 238, 239 Plays on Film "Plays on Film" is a study of the (all too few) successful films made from stage plays, approached in the context of why adaptations of plays to film typically don't, in fact, work. Through close engagement with theoretical readings and film texts, we’ll consider questions like what constitutes queerness, how does the definition shift accross cultural contexts, and is there a queer aesthetic? In addition,no more than 2 courses from any single department or major (other than FLM) can count toward the film … Muhlenberg College, Allentown. Spearheaded by a group of young directors who also wrote their own screenplays (Truffaut, Godard, Malle, Chabrol, Resnais, among others), this movement gave rise to "Le cinema d’auteur" as an innovative and influential way to produce films.  Muhlenberg College 2400 Chew St.  Allentown, PA 18104   484-664-3100. Prerequisite(s): ENG 226 - Introduction to Screenwriting or permission of instructor. Film Studies and Media & Communication. Film has emerged in the last 100 years as a global phenomenon with broad social, cultural, and commercial implications. Focusing on production tools and skills, class workshops and outside exercises that facilitate becoming comfortable with camera and editing equipment and with the overall production process. Neuerwerbungen im Juni 2010 Universität Heidelberg Alle Institute. About. Publications . FLM 288 Directing/Performance FilmThis is an introductory-level course in directing and acting for camera, focusing on philosophies of screen acting, the ability to work within the technical requirements of screen media, and the development of productive and respectful working relationships on set. Students will learn how to work with cameras, audio-recording equipment, and post-production facilities.Meets general academic requirement AR. Writers will comment on each other’s work in a workshop setting. FLM 201 Film History I: 1895-1945 An exploration of the international history of film from its invention through the silent era, the rise of Hollywood, and the development of sound to the end of World War II. Contact. Students should start conceptualizing their ideas well in advance of the start of the semester. Thus, film is a vital subject of intellectual inquiry that is useful to a wide range of students, not merely as vocational training for media professionals. The program’s goal is for all students of the discipline to extend the range and quality of their viewing experiences and to become better informed interpreters of the ways in which film both shapes and represents the world around them. The emphasis is on narrative films, with some attention to experimental films. Writers will comment on each other’s work in a workshop setting. The Paul McHale Collection This collection documents the congressional work of Paul McHale (1950-), U.S. Representative for Pennsylvania's 15th district from 1993-1998. How, for example, can an edit align with and accentuate the dynamics of a scripted scene? FLM 325 French New Wave Cinema This course explores the very rich period in French Cinema during the 1950s and 1960s that is known as the French New Wave (La Nouvelle Vague). A program for Media & Communication and Film Studies majors in Dublin, Ireland, and a Dance program in Arezzo, Italy, are both offered during the spring semester. Trexler Library has many online resources available through the library website. We want to make sure new students know the open atmosphere of our community. We will also consider how these topics are illus trated throughmelodrama’s aesthetics, such as music, dramatic editing, and symbolic use of setting. Faculty regularly arrange special screenings, often accompanied by visiting filmmakers. FLM 380 Pre-Production Plan/DesignStudents will learn the process of film and videomaking from idea stage to the day before shooting begins. Attendance at weekly screenings is required.Prerequisite(s): FLM 202, 204 Film History II: 1950-Present and senior film studies major or permission of the instructor.Meets general academic requirement W. FLM 970 Film Studies Independent Study/Research Independent study may be enrolled in any academic department with approval of the advisor and should provide an opportunity to undertake an in-depth examination of some facet of film studies literature and research findings. FLM 360 Major Filmmakers This course focuses on one or two major filmmakers and considers repeated and/or developing themes in his or her body of work. National cinematic traditions have developed in virtually every corner of the world, making an understanding of film’s relationship to its conditions of production and reception integral to the work of cultural historians, students of politics and communications, philosophers, and sociologists alike. Films explored in this course will likely include Bad Education (Spain), Amores Perros (Mexico), Code Unknown (Austria/France), Chunkging Express (Hong Kong/China), The World (China), A Separation (Iran), Once Upon a Time in Anatolia (Turkey), The Best of Youth (Italy), Waltz with Bashir (Israel), The Class (France), and District 9 (South Africa), among others. Schule, Studien (1539–1554) [Bearbeiten | Quelltext bearbeiten] 1539 bis 1546 besuchte Montaigne das Collège de Guyenne in Bordeaux, wo er bei seinen Lehrern teilweise gefürchtet war, weil er besser Latein sprach als sie. Professors:  Birgel, Cartelli, Coppa, McEwan, Tafler Though a close analysis of these films, the student will gain an understanding and appreciation of cinematic techniques as well as the cultural, social and political background which shaped these works. Muhlenberg College offers 64 distinct undergraduate degrees, concentrated into 45 majors within 17 broad fields of study. We will then look the ways these plays helped to revitalize the British cinema of the postwar era, creating a cinematic scene in which the free cinema and "kitchen sink" films of the 1950s gave way to the bold, taboo-breaking movies of the 1960s. Attendance at weekly screenings is required.Meets general academic requirement DE. FLM 202, 204 Film History II: 1950-Present An exploration of the international history of film from the end of the War through important European developments (the French New Wave, Italian Neo-Realism, and New German Cinema) and dramatic changes in production and viewing in the United States (through the Sixties and Seventies) to recent emergence of national and regional cinemas in countries all over the world. Attendance at weekly film screenings is requiredMeets general academic requirement DE and HU. COM 367 Studio Workshop in Television & Film Beginning with a survey of the promise and demands, historical, economic, and political circumstances surrounding community television, this course broadens students' exposure to television formats beyond mainstream commercial media. In this course, students will study and write a spec script for an existing show of their choice. American Studies at Muhlenberg offers students the opportunity to study the culture and history of the United States from an interdisciplinary perspective. Film studies is also designed to complement other major and minor programs that students might choose to pursue in art, media and communication, English, music, and theatre arts, among others. Meets general academic requirement HU (and W when offered as 317). Attendance at weekly screenings is required.Meets general academic requirement DE. These films contain scenes of very graphic violence and vulgar language. 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